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Vincent Laforet published a very interesting article on vis blog about the MōVI. This new rig type is an amazing breakthrough for handheld video. Check out the videos, they speak for themselves…
MōVI
Behind the scenes with commentary
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If you’re a tech geek you may enjoy this post on lens rentals which talks about a new sensor design promising much better color reproduction and sharpness. Looks very impressive!
Read more here
horses
A few weeks back I drove my daughter to horse riding lessons and decided to take a walk by a nearby stream to kill time. I took my camera with me in case I would find some interesting shots for my recent H2O = Aqua project. To my surprise I stumbled on a few horses running loose just across the stream.
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Since 2007 I had the privilege of being taken underground with geologists, miners and guides to explore the mine which is hidden from view for everyday visitors. Each time we went underground I felt, that I am only touching the surface of what is to be seen and acknowledging the size of this maze of corridors. Most of the photographs are from the 3rd and 4th level of the mine, which has a total of nine. The ninth is flooded though and probably shall never be open again.
In the course of these few years I have seen changes and so these images are a record, snapshot … Although all seems so still and silent once you hold your breath in the cold darkness of the underground, these hard walls seem to magically change much faster then we anticipate.
Please see the rest of the images here.
Lastly I would like to greatly thank the Wieliczka salt mine and all their staff who have helped me in finalizing this essay over the years.
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Have a look at these portraits of the art group Banda
I have seen a few of their shows and many of the works where very interesting to me and so I was very happy to shoot these portraits for them. Hope you like them also!
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Back in november I had the pleasure of taking this portrait for german GEO magazine. A shot of Piotr Michalik from the Jagiellonian University was needed and I was the magazine’s photographer of choice.
I’m very happy with the concentrated image we ended up with. Shot with my trusty 50mm I was able to get close enough to make the eye contact intense…
